Valhalla, NY—Production of the new sitcom Zoe Ever After, set to air in January on BET, used a style of shooting that harkens back to 1980s and 1990s sitcoms—before a more cinematic approach became the norm. With three Fujinon 4K Cabrio PL-mount lenses—the 25–300mm Cabrio, 19–90mm Cabrio and 14–35mm Cabrio—on Sony F55 large-format cameras, the show’s DP, Bill Sheehy, operated in a multi-camera, “live-cut” environment.
All three cameras covered the scene at once, but with the Sony F55 and Cabrio lenses, the show looks like a single-camera production, in the style of Sex in the City.
Sheehy said the single operator/multiple camera method saved considerable cost and production time. “We didn’t have to worry about changing different zooms for different looks. Camera assistants didn’t spend time paring down the camera to switch from primes to zooms. We were able to use that extra time to focus on other things like lighting, while keeping a really fast pace on the set.”
The 25–300mm has a detachable servo drive for remote control of zoom, focus and iris adjustment. With that, there’s no need for rod-mounted motors. The other two lenses are used with SS-13 servo rear lens controller kits.
Cabrio PL Lens Series
Fujinon’s Cabrio PL lens series includes the PL 25–300mm, PL 19–90, PL 85–300 and PL 14–28mm. All but the PL 25–300mm feature exclusive, detachable servo drive units. The PL 25-300 servo is optional, making all four Cabrios suitable as a standard PL- or ENG-style lens. And all Cabrios can be controlled using cinema industry standard wireless controllers and Fujinon wired and wireless units. fujifilmusa.com
